A LITTLE HISTORY

Thirty years ago, most of us were printing our work as custom hand made Cibachrome prints for archival fine art work. Times and technology have changed, and for those of us that now work in the digital realm, inkjet printers have become the printing method of choice.

Today, we now have archival papers and pigment inks that rival, and in most cases exceed the quality of Cibachrome prints in detail, sharpness, and color fidelity. Most papers and inks used by today's photographic artists have lifetimes that exceed 75 years with a few even going beyond. Prints made on these papers capture the saturation, contrast range, and vivid detail that digital files have given us.

Sandstone, Sage, & SkyA late winter evening a few days before Spring in the Gloss Mountains. Claystone in the foreground is blue-gray from lack of oxygen when the sediment was laid down millions of years ago. Another fabulous sunset sky highlights the gypsum capped ridge of sandstone in the background. THE PRINTS

There is something special about the tactile feel of holding and viewing an archival quality print in one's hands. For this reason, I have always had prints made throughout my career. There is NO comparison between a fine art print and seeing an image on a computer screen, regardless of the screen's resolution.

All of my images are available in open editions with the exception of those shown on the Getty Images Page which are limited editions of 50. These prints are currently printed using archival pigment inks on EPSON Premium Pearl Lustre paper, a semi-matte smooth fine art paper that is an archival museum quality with an expanded color gamut, natural contrast and high ink load. It has superb ink handling and sharpness qualities that produce a beautiful print with depth, saturation, and longevity.

All prints are made locally on an Epson 9600 UltraChrome pigment printer. I have a personal and professional relationship with these people that goes back many years. An A4 size test print is made each time before creating the final print. Each print is hand inspected at the time of printing to ensure they meet my exacting standards for color fidelity and sharpness.

Water MechanicsA foggy morning on the Lake Overholser dam in Oklahoma City. The dam is still used to handle overflow from the North Canadian River which flows into the lake. The dam is now on the National Historic Register. It was completed in 1918 and is the city's first reservoir. In recent years, the dam has seen little use due to the ongoing drought. PRINT PRICES

In an effort to make my work available to the widest possible audience I have set my prices quite reasonable. My preferred print sizes are 12" x 18" and 16" x 24". All sizes come with a 1/2" white border yielding final paper size of 13" x 19", 17" x 25", and 25" x 37" respectively. Each print is hand signed on the border. Other sizes are available upon request. The prices for the Getty 'Limited Editions' are the same.

12" x 18" Individual Prints are $100.00 plus shipping

16" x 24" Individual Prints are $125.00 plus shipping

24" x 36" Individual Prints are $175.00 plus shipping

Individual prints are wrapped in archival tissue and mailed rolled in a very sturdy 4" inside diameter mailing tube. Shipped via your choice of USPS Priority Mail, FEDEX or UPS. All prints are insured.

Please contact me by email at: [email protected] for ordering or special requests. You may contact me by phone @ 405/549-3987 but due to cellular service being spotty in some of the areas that I travel, email is the best way to reach me. If you do call and the call goes to voicemail, please leave a message. As soon as possible, I will get back with you and advise you of expected delivery times.

* NOTE - I am often on the road for lengths of time that keep me away from the office. All orders will be processed as soon as possible but delivery times can be up to 2  weeks from the order date.

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